Claire Pamment

Courses Taught

World Theatre Histories; Introduction to Theatre; Transgender Performance, Theory and Activism; Theatre and Performance in Muslim Worlds; Directing; Devising Theatre.

Background

Dr. Claire Pamment is a scholar and theatre-maker (director, dramaturg and deviser), working in South Asian theatre and performance, focusing on marginalized performance communities in Pakistan and its diaspora, at the intersections of class, gender, sexuality, religion, and race.

Her first monograph, developed out of her PhD dissertation, Comic Performance in Pakistan: The Bhānd (2017, Palgrave Macmillan, London), explores the genesis, history, and permutations of the Indo-Muslim comic performer, the bhānd. This work has been recognized as an important entry in global performance, and a foundational text for studies in Pakistani theatre—a field often foreclosed by colonialist historiography. A Podcast about the book can be found here.

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Pamment earned her BA from Cambridge University, MA from Goldsmiths College, and PhD in Performance Studies from the Royal Central School of Speech and Drama, University of London. Prior to joining William & 玛丽 she held academic positions at Yale University and at several institutions in Pakistan, along with a strong foundation of professional dramaturgy and theatre-in-education with theatre companies in London.

Pamment is affiliated with GSWS, AMES and APIA. Her research and teaching are honored by William & 玛丽’s Coco Faculty Fellow Award (2021-2022).

Productions directed for TSD: Katori Hall’s Our Lady of Kibeho, the devised and site-specific …& 玛丽, New Black Fests’ Hands Up: The Conversation